I won an Emma Goldman Award!


Trans feminist scholar Dr Ruth Pearce honoured with prestigious Emma Goldman Award
Scene Magazine

Group photo of women posing with awards in a library


In January, I received an unexpected message. And at first, I thought I was being scammed.

Actually, I received several unexpected messages, over a couple of weeks. These comprised direct messages to my social media accounts, a comment on this blog, and – eventually – an email to my work account.

The purported person urgently trying to contact me was Mieke Verloo, Professor of Comparative Politics and Inequality Issues at Radboud University in the Netherlands, and Permanent Fellow at the Institute for Human Sciences in Vienna, Austria. I was familiar with her extensive feminist scholarship, especially her work on gender equality policies and anti-gender movements. Given the overlap in our interests, I wasn’t surprised she reached out. I speak with a lot of other researchers and activists on a pretty much daily basis. What was surprising was how keen and persistent she was to speak with me.

As a social researcher, my work is all about people – and our interactions with policy, institutions, and community organisations. To do my job well, I need to speak with people, all the time. Outside of teaching, this can consist of formally conducting a research interview, sharing advice or information, or just having a chat to maintain a relationship. I’m grateful that my research been highly read and impactful: that has happened because I have worked closely with others the whole time, to inform, design, undertake, and share my studies.

The problem is that academic employment does not leave much time and space for this people work. I do it on top of my teaching and administration load, plus reading, planning, writing, and so on. So I squeeze it in: a meeting here, a blether there. It’s increasingly difficult. I have a growing list of people who want to speak with me about their project idea, the latest insider scoop on NHS policy, next steps for their organisation, or their proposed PhD or postdoc. It takes me increasingly long to reply to emails, and I’m booking meetings months in advance. I am, to put it bluntly, overwhelmed.

So that’s a normal academic problem. It’s even worse for those of us working in fields such as gender studies at a time of far-right backlash. I have started to develop a trauma response to opening my emails. I am always anticipating the next terrible news, the next round of harassment, the next legal threat from a “gender critical” scholar who has decided I am a problem. There is, sadly, a reason why my work email can no longer be found on my university profile. Like many minoritised scholars, I have removed it, making it harder for hostile individuals to contact me.

This is a systemic issue, not just a “me” issue. Universities like to say that they value community engagement and impact. But we are never really provided time for it in our workload, especially if we are part of a targeted minority group. I feel like a one-woman gender clinic, gradually amassing my own ridiculous waiting list.

Professor Verloo did not want to wait. Her numerous messages indicated that what she wanted was clearly very important. I wondered, is this actually the real Mieke Verloo? Is this part of some elaborate harassment campaign? Am I being catfished?

Eventually, I set aside a bit of time, and asked Mieke to prove her identity – which, very kindly, she did. As a leading feminist academic who has studied anti-gender movements, she got it.

I had a flexible hour the next day, so I set up a Zoom meeting, to see what I could help her with.


On receiving awards

I don’t do the work I do to win prizes. I am not saying this to be humble – I am saying this because it true, and realistic.

While some of my work is highly-read, I think the most impactful things I’m involved in tend to be invisible. And that’s okay. I organise with others, and share ideas and information with various people and groups, without any of this ever being visible to the wider world (let alone seeing academic publication). This is the work of social movements, and untold millions of us do it.

Meanwhile, on the occasions when I have sought academic awards, it has been very difficult. I’ve really struggled to land research funding, in spite of my profile, in spite of cis mentors pulling baffled faces and saying things like “I have never seen a proposal this strong fail in the first round”, over and over again. Again, this is a systemic issue. I’ve seen enough trans studies scholars go through the same to know that we are being quietly discriminated against. The same is true of other marginalised groups, such as academics who are Black and people of colour.

I have also, very occasionally, won something that feels entirely hollow. A few years ago I received an “LGBT+ Advisor Award” from NHS England. This was announced in a ceremony I wasn’t invited to, and was not publicised outside of a tweet from someone who was there. I received a small badge in the post, which is now displayed on my office pinboard, a focal point for conflicted emotion. For several years, I put enormous amounts of time and energy into working for a more trans-friendly NHS. Now, many of the very NHS commissioners and policymakers I used to meet with are mainstreaming pseudoscience and conversion practices. It hurts.

So when I asked what I could help Mieke Verloo with, and she said, “we would like to give you a prize”, I went into shock.


Recognition and recovery

I think I have become too acculturated to the idea that there is no external recognition for trans liberation work. This is an important reminder that people outside of trans communities care about us, and care about our role in wider struggles for social justice.

I have been a part of a feminist movements my entire adult life. For many years I have campaigned for and within women’s services and women’s political spaces, and fought back against systemic sexism and misogyny. Nevertheless, as the anti-trans movement has grown more powerful, I have felt the walls closing in. Powerful forces are trying to separate women like me from our sisters in struggle.

In a world of divide-and-rule, it matters that we extend recognition to one another, in whatever ways we can. Often, this means just telling someone that they are seen, and that their work matters. It means so much when I hear this, and I try to make a practice of doing the same for others.

But Mieke Verloo is part of the FLAX Foundation, a Dutch organisation with some funding for Europe-wide feminist research awards. It seems that FLAX seeks to extend recognition in ways that are as useful as possible for prize recipients.

The recognition alone is the most powerful and beautiful thing about the Emma Goldman. I think it will provide me with greater strength going forward, a sense of togetherness with other feminist activist-researchers across Europe.

However, the award also comes with funding. So I will also be considering how best to use this to support my work going forward. My hope is to focus on finding more time and space for restoration and slowing down, for existing collaborations and research dissemination rather than starting something new. I hope to focus on writing up findings from work undertaken with colleagues in the Trans Learning Partnership, and finish my next book. I will also look into paying for services that might help me better manage my experiences of overwhelm, ideally in a way that puts money back into queer and trans communities. It is rare indeed to obtain funding for this purpose.


The Emma Goldman Award

Every year, between five and ten people receive an Emma Goldman Award. Several more can win a different prize given by the FLAX Foundation, the Snowball Award. Two weeks ago, we gathered in Vienna for an awards ceremony, and for a budgeting workshop to support the best use of the funding we have received.

It was quite overwhelming to be in a room with a group of such highly accomplished women. We came from a great range of backgrounds, in terms of nationality, heritage, culture, discipline, field, and medium. It was amazing to hear about the work everyone was doing: as academics, as journalists, as filmmakers, as comic artists – and, inevitability, as collaborators and organisers. Every one of us was involved in community-building in one way or another. And everyone seemed pretty shocked to be receiving an award, because each one of us feels the pain of oppression, and none of us do what we do to win prizes.

The award ceremony was filmed, and I’ve put a link to the youtube video at the bottom of this post. It’s worth a watch simply to hear about the exciting things every single award winner is up to. It expanded my sense of possibility, of what is happening in the world and can happen in the world, and who I might work with or be inspired by going forward.

It meant a great deal just to spend time with each other outside of the formal sessions, speaking and listening and learning together, building new friendships. This is something I have taken away from my time in Vienna, something I will sit with for a long time. I believe this is another intention of the Emma Goldman and Snowball Awards: to go beyond themselves, to support networks of research and activism, to enable new connections and collaborations across borders. In this sense, the prize couldn’t be better named.

The thing that struck me most after the award ceremony – and I mean this in a really good way – is that it made our collective achievements feel unexceptional. I don’t say that to talk down myself, or any other winner. Quite the opposite: I feel that recognising this kind of work collectively reminded me that none of us are alone, that we are part of a movement.

It is enough for any of us to simply do the work – of fighting for a better world.


DJ setlist and review: There Will Be Blood! @ Stereo, Glasgow

I’m currently in the middle of a busy fortnight for work-related travel (more on that soon!) But last night, I managed to make the most of a brief return to Glasgow.

The occasion was There Will Be Blood! a fundraiser at Stereo for the brilliant group Trans Healthcare Access Glasgow. They are helping to provide free laboratory testing for bloods. This is really important for trans people on HRT who are increasingly denied monitoring by GPs. If you couldn’t make it but would still like to donate, you can do so here.

The organisers put together a fantastic lineup and there was a great turnout – especially for a Monday night. It was exciting to see so much talent from within our community, and loads of people come out to support both the cause and a pretty eclectic collection of artists. And exciting for me to be a part of it, performing a DJ set as ROGD.

In which I am going for it. Photo by Onni Gust.


The night kicked off with a luscious set from singer-songwriter and drag artist Sersi. He’s probably the first person I’ve ever seen sport a Britney mic at a DIY gig, which was very cool but sadly couldn’t quite capture the sheer dynamic range of his vocals on the night. At the same time, it enabled him to completely own the stage for a series of ballads that were by turns beautiful and strange. Sersi was ably supported by a pal with a laptop, and Johanna Kirkpatrick (of trad folk bands Chanterelle and Madderam) looking dead dykey on acoustic guitar.

Next to take the stage were Deep Filff. I hadn’t had a chance to look them up before the gig so had zero idea what to expect, although they did arrive with an absolutely enormous inflatable swan. Deep Filff turned out to be a two piece, with Nadia Fiffsky playing bass and belting out epic sun-baked vocals, while Jenny Tingle methodically destroyed the drumkit. As purveyors of some of the dirtiest psychedelic grunge-punk riffs I think I’ve ever heard, they were extremely well-named. It was engrossing, hypnotic stuff. Eventually the swan came out and bounced around the audience, most likely representing a serious hazard to some of the important-looking wires and glitterball hanging from the ceiling.

Local heroes comfort never fail to disappoint, and this evening they truly tore up the stage as the final live act of the evening. The sibling duo have a truly unique sound, with Natalie’s staccato vocals punctuating a skitterish soundscape of totally artificial electronic sounds, underpinned by Sean’s assertive drumming. It was impossible not to dance. My favourite moments came whenever the band’s weird, abrasive noise would suddenly gave way to a transcendentally beautiful synth melody for a minute or two, before we all dived collectively back into the tumult.

Finally, following a quick raffle, I was up! The gig was due to end at a remarkably civilised 10pm, so I had a tight half hour DJ set.

I’ve thought a lot since returning to DJing that the landscape of queer and feminist music and activism has completely changed. Back in the day, I used to do quite a few “Women’s Voices” DJ sets, especially for feminist events such as Reclaim The Night afterparties, and the woman-only Women’s Aid and NUS Women’s Conference discos. The idea was that every song played (sometimes for sets of up to four or five hours) had a woman on lead vocals, and ideally women also playing instruments. Finn Mackay always used to refer to me as “feministDJRuthPearce” (all in one breath!) which was never failed to be delightful.

Unfortunately, many of the people who were only too happy to join the dancefloor for those events are now either actively backing trans-exclusionary politics and the grossest forms of transmisogyny, or otherwise failing to speak out again them. (Junior equalities minister Liv Bailey, I’m looking at you – remember when you hoped I’d DJ your wedding one day?!) It’s odd to reflect on just how normal it was for trans women to be involved in woman-only politics spaces in the UK, given the extremity of the post-2017 moral panic.

Anyway, I digress.

Another thing that has happened over the last decade is the enormous influx of excellent trans artists to both underground and mainstream music scenes. We live in an age where I listened to jasmine.4.t for the first time because my mum told me she’d done a good interview with Craig Charles on BBC 6 Music(!) So, while I’d like to do more Women’s Voices DJ sets in the future, for the first time it felt realistic to put together a Trans Voices set, with a mixture of tunes fronted by trans women and men, and/or non-binary, genderqueer, or genderfluid people, that I could reasonably expect a large number of people in the audience to be familiar with.

So, here’s what I played:

Shopping – The Hype
My Chemical Romance – Teenagers
100 gecs – mememe
SOPHIE – Immaterial
underscores – Locals (Girls Like Us) [with gabby start]
Kae Tempest – Move
Ada Rook – BURY YOURSELF
Janelle Monáe – Make Me Feel
jasmine.4.tGuy Fawkes Tesco Dissociation
G.L.O.S.S. – Outlaw Stomp
Against Me! – True Trans Soul Rebel

Obviously I could have kept going a lot longer, but I’ve got to say, it was one heck of a half hour. I have such enormous love for everyone who joined me to dance their arse off on a Monday night. And if you’d like me to DJ your event – I’m officially back behind the decks, so do get in touch!

Back home – sweaty and happy!

Womxn in Music: Friday 5 March

Promotional image for the Womxn in Music event hosted by the Boileroom. It features Lesley-Anne O'Brian playing guitar, Ruth Pearce singing and pointing, and Nuha Ruby Ra looking moody and intense.

I am speaking on a panel on Womxn in Music this coming Friday! The event is being streamed by Guildford venue The Boileroom as part of a super cool series in the runup to International Women’s Day. I expect to be speaking a bit about DIY culture, my research on queer and trans politics within punk scenes, and experiences of playing in bands and running events.

I’ll be in conversation with Nuha Ruby Ra, who will also be performing a live set, plus Lesley-Anne O’Brien of Lockjaw Records and Midwich Cuckoos.

You can book tickets for free here (or for a donation to the venue – which definitely helps in Covid times!)

Beyond the TERF Wars

For the past couple of years, I have been working quietly on a new edited collection with my colleagues Sonja Erikainen and Ben Vincent. It is titled TERF Wars: Feminism and the fight for transgender futures.

Cover of the Sociological Review Monograph: TERF Wars.

TERF Wars is being published as part of the Sociological Review monograph series. This means it is available digitally as a special issue of the century-old journal The Sociological Review, and will also be available to buy as a reasonably-priced paperback book.

Digital special issue
(available now with a subscription to The Sociological Review)

Paperback pre-order
(Europe only for now – more and better links coming soon!)

Read the Introduction for free

Our aim has been to provide a critical, scholarly response to the growing circulation of both “pro-trans” and “anti-trans” ideas within feminism, especially in the academic context in which we work. As the “trans debate” has grown ever more extensive and complex, newcomers often express confusion around why this has happened, what the fiercely contested language actually means, and how it has all become so polarising.

The collection therefore addresses a range of issues, including (but not limited to) definitions of sex and gender, trans/feminist histories, racism, autogynepilia, “rapid-onset” gender dysphoria, detransition, access to public toilets, and contestation over the “TERF” acronym (“Trans Exclusionary Radical Feminism”) itself. We have been privileged to work with a range of amazing authors, including Jay Bernard, Lua da Mota Stabile, Jen Slater, Charlotte Jones, B Camminga, Rowan Hildebrand-Chupp, Florence Ashley, Julia Serano, María Victoria Carrera-Fernández, Renée DePalma, Emi Koyama, Cristan Williams, and Sally Hines.

I am proud of what we have achieved, and hope the collection will serve to move some of these debates forward. However, I also believe it is important to emphasise that trans people face far more significant issues than debates within feminism.

I have long felt that the “TERF wars” are a distraction from the endemic discrimination and gross inequalities faced by trans people in all areas of public and private life. There is a reason that my own research and activism has focused primarily on healthcare, both before and during the editing of this collection (which I have very much treated as a side project). Arguing with strangers about sex and gender on Twitter won’t reduce waiting lists or stop doctors from sexually assaulting patients. Equally, it becomes harder to concentrate on the task in hand when vicious anti-trans columns are constantly published in the mainstream media, and when your research plans are derailed by a malicious Freedom of Information requests from anti-trans campaigners hope to access your work emails.

There is no easy solution to this conundrum. However, I urge readers to consider how they, personally, might aim to move beyond the TERF wars. My main hope for this edited collection is that will be helpful for people to better understand this particular realm of transphobic discourse, and to counter harmful and inaccurate arguments. Having done so, I urge you to turn to the real tasks of trans liberation: fighting sexism, racism, and ableism, protecting personal autonomy, building collective solidarity and mutual aid networks, providing services to our communities, and imagining new worlds.

QUEERPOCALYPSE

QUEERPOCALYPSE

Today is Trans Day of Visibility, apparently. I have felt very strange about this day since it became a Thing over the last decade, as visibility is double-edged sword for many of us. With visibility comes community, and increased access to trans and queer arts, culture, politics, ideas. But in the last few years this has met with a cultural and ideological backlash. We are more visible to those who hate us, those who fear us, those who would cause us harm.

Last year I wrote some lyrics about this dichotomy, which are now part of a new song from noise/punk band Dispute Settlement Mechanism. It’s called Queerpocalypse.

 

One of the great things about being in a band is that the process of creation is always  collaborative. I like that this enables us to express ourselves, be that as queer, as trans, as woman, as people, in different ways that come together as a whole. Communicating through riffs and percussion which tell their own stories alongside lyrics and vocal performance.

This, at least as much as my research and formal writing, is the visibility that matters to me in 2020.

I fear your hate inside
I fear the turning tide
I fear your time will come
I fear you think you’ve won

moral panic
moral panic
moral panic
moral panic

you fear with desperate pride
you fear the turning tide
you fear our time will come
you fear that we have won

well guess what?

this world is ours
this world is ours
this world is ours
this world
is ours

Queerpocalypse is available as part of the compilation album Songs From The Vaults. All proceeds from digital sales of the album (available from £5) go towards supporting important Coventry venue and community centre The Tin Music and Arts through the COVID-19 crisis.

Fighting back in the precarious academy – FWSA address 2019

On 16 October I spoke at the 30th Anniversary event hosted by the Feminist and Women Studies Association UK and Northern Ireland (FWSA). This is the text of my short talk.

Thank you for having me, I am very honoured to be here today.

I was invited to speak about doing feminism in the academy through my research on trans experiences. I am a trans woman known for my research on trans health.

I am interested in how discourses of consent, autonomy, sex and gender circulate between patient communities, activists, and professionals, and how these are shaped by power relations. I also work on new approaches to healthcare that might centre patient knowledges, rather than patriarchal medical authority. At present, I am part of an international study of pregnancy and childbirth among trans men and non-binary people.

This research stems from my wider interest in gender, sexuality, and power relations within institutions. I have published empirical work on equality schemes in Higher Education, focusing specially on Athena SWAN. My research with Charoula Tzanakou shows how Athena SWAN places a burden on the very women it is supposed to help, through expecting them to participate in the extensive work of self-assessment.

I also have been involved in anti-casualisation campaigns, especially while working on hourly-paid contracts for six years at the University of Warwick. I feel it is important to recognise this as feminist academic work too, an argument I expand on shortly.

I am very often invited to speak about trans health. At least as often, I am invited to speak about being a trans woman.

I am very rarely been invited to speak about my wider feminist research or activism.

I know why this is. While our numbers are growing, there are very few trans people and especially trans women working in universities. I am used to being the only visible trans person in the room. I am painfully aware that I am frequently present as a token. I am also aware that if I am not present, often no trans voices are heard at all, let alone trans women’s voices.

I know it is important to talk about how a vast majority of trans staff and students face substantial barriers in Higher Education. These include rigid administrative procedures, plus high rates of verbal abuse, physical and sexual assault. I know it is important to talk about how transphobia is tied closely to misogyny, racialisation, ableism and class, and how the challenges we face are especially compounded for trans people who face intersecting forms of marginalisation, such as Black trans women and disabled trans people.

I know it is important to talk about how we currently face an unpreceded rise in open transphobia. Cis academics talk about stripping our legal rights in public lectures and newspaper columns. Trans studies scholars face constant abuse and harassment on social media, malicious freedom of information requests, and threats of legal action. I know it is important to talk about how anti-feminist talking points from the religious right, such as the supposed threat of ‘gender ideology’, are laundered through anti-trans groups.

Still, there are times I want to talk about other things.

There are times I want to talk about being a woman more than I want to talk about being trans. There are times when I want to talk about solutions as well as problems, about collectivity and solidarity rather than division.

New postgraduates frequently ask me for advice on surviving in departments where they are the only out trans person. My advice is always the same – build alliances across difference. You may be the only trans PhD student, but you will certainly not be the only student who faces marginalisation.

To quote Patricia Hill Collins: “Who has your back, and whose back do you have?

In 2015 the University of Warwick faced scrutiny over TeachHigher, a proposed wholly-owned subsidiary designed to facilitate the outsourcing of teaching at universities. These proposals were defeated by organised resistance within numerous academic departments, led primarily by casualised staff.

Our campaign relied on recognising how the economic precarity of casualization is also about the myriad ways in which many of us are additionally oppressed. As my comrade Christian Smith passionately argued, “TeachHigher is sexist, and TeachHigher is racist”. We knew that women and people of colour are disproportionately represented within the pool of casual labour on which our institutions rely. We knew that increased casualization only exacerbates conditions in which those who are already the most privileged are most likely to thrive. This was a feminist campaign, an anti-racist campaign, a campaign about class, a campaign against ableism, homophobia and transphobia.

In my department, where over 40% of teaching was undertaken by people on hourly-paid contracts, we organised a teaching boycott. None of us would sign up to teach the following year unless the department took an active stance against TeachHigher. This could only work if all of us agreed to openly sign a letter announcing the boycott – otherwise, we could be played off against one another. It took many careful meetings and discussions to organise. Many of us relied on this work to pay our bills, and in some cases, look after families.

In response to our letter, the Head of Department disparaged us in a departmental meeting, calling us “childish”. He proposed replacing our labour with PhD students from other universities. He said we would never win, that the university would never back down.

A week later, the university backed down.

So how do we claim space for feminism in the precarious academy?

By remaining aware of our differences, working with and across them to build alliances.

By campaigning through formal and informal unions as well as our research.

By speaking out and supporting our colleagues, especially if we are in a more secure position than them.

The university is not built for us. We know this in our hearts when we see the statues and paintings of worthy men around campus. We know this in our bones when we the climb steep steps to lecture theatres designed to centre a patriarchal pedagogy. We know this in the sharpness of our breath when men known for sexual abuse talk over us and claim responsibility for our work in departmental meetings.

It’s time for change on our campuses. Let’s make that change together.

EHAOIH6W4AAdiCi.jpg

Concerts in Coventry: 24th June, 29th July

I’m involved in organising two exciting events at Coventry’s Tin Music and Arts over the coming month.

This coming Saturday sees the return of feminist club night Revolt, complete with bands, DJs, spoken word, zines and our Feminist Library. I’ll be opening the night with my band Dispute Settlement Mechanism.

For tickets and more info, click here.

Revolt #10
On Saturday 29th July we’ll be treated to a performance by CN Lester, who will be performing songs from their new album Come Home and reading from their great new book Trans Like Me.

For tickets and more info, click here.

CN Lester.png
Entry will also be available on the door on a donations basis (suggested donation £5, but no-one will be turned away for lack of funds).