I’m currently in the middle of a busy fortnight for work-related travel (more on that soon!) But last night, I managed to make the most of a brief return to Glasgow.
The occasion was There Will Be Blood! a fundraiser at Stereo for the brilliant group Trans Healthcare Access Glasgow. They are helping to provide free laboratory testing for bloods. This is really important for trans people on HRT who are increasingly denied monitoring by GPs. If you couldn’t make it but would still like to donate, you can do so here.
The organisers put together a fantastic lineup and there was a great turnout – especially for a Monday night. It was exciting to see so much talent from within our community, and loads of people come out to support both the cause and a pretty eclectic collection of artists. And exciting for me to be a part of it, performing a DJ set as ROGD.
The night kicked off with a luscious set from singer-songwriter and drag artist Sersi. He’s probably the first person I’ve ever seen sport a Britney mic at a DIY gig, which was very cool but sadly couldn’t quite capture the sheer dynamic range of his vocals on the night. At the same time, it enabled him to completely own the stage for a series of ballads that were by turns beautiful and strange. Sersi was ably supported by a pal with a laptop, and Johanna Kirkpatrick (of trad folk bands Chanterelle and Madderam) looking dead dykey on acoustic guitar.
Next to take the stage were Deep Filff. I hadn’t had a chance to look them up before the gig so had zero idea what to expect, although they did arrive with an absolutely enormous inflatable swan. Deep Filff turned out to be a two piece, with Nadia Fiffsky playing bass and belting out epic sun-baked vocals, while Jenny Tingle methodically destroyed the drumkit. As purveyors of some of the dirtiest psychedelic grunge-punk riffs I think I’ve ever heard, they were extremely well-named. It was engrossing, hypnotic stuff. Eventually the swan came out and bounced around the audience, most likely representing a serious hazard to some of the important-looking wires and glitterball hanging from the ceiling.
Local heroes comfort never fail to disappoint, and this evening they truly tore up the stage as the final live act of the evening. The sibling duo have a truly unique sound, with Natalie’s staccato vocals punctuating a skitterish soundscape of totally artificial electronic sounds, underpinned by Sean’s assertive drumming. It was impossible not to dance. My favourite moments came whenever the band’s weird, abrasive noise would suddenly gave way to a transcendentally beautiful synth melody for a minute or two, before we all dived collectively back into the tumult.
Finally, following a quick raffle, I was up! The gig was due to end at a remarkably civilised 10pm, so I had a tight half hour DJ set.
I’ve thought a lot since returning to DJing that the landscape of queer and feminist music and activism has completely changed. Back in the day, I used to do quite a few “Women’s Voices” DJ sets, especially for feminist events such as Reclaim The Night afterparties, and the woman-only Women’s Aid and NUS Women’s Conference discos. The idea was that every song played (sometimes for sets of up to four or five hours) had a woman on lead vocals, and ideally women also playing instruments. Finn Mackay always used to refer to me as “feministDJRuthPearce” (all in one breath!) which was never failed to be delightful.
Unfortunately, many of the people who were only too happy to join the dancefloor for those events are now either actively backing trans-exclusionary politics and the grossest forms of transmisogyny, or otherwise failing to speak out again them. (Junior equalities minister Liv Bailey, I’m looking at you – remember when you hoped I’d DJ your wedding one day?!) It’s odd to reflect on just how normal it was for trans women to be involved in woman-only politics spaces in the UK, given the extremity of the post-2017 moral panic.
Anyway, I digress.
Another thing that has happened over the last decade is the enormous influx of excellent trans artists to both underground and mainstream music scenes. We live in an age where I listened to jasmine.4.t for the first time because my mum told me she’d done a good interview with Craig Charles on BBC 6 Music(!) So, while I’d like to do more Women’s Voices DJ sets in the future, for the first time it felt realistic to put together a Trans Voices set, with a mixture of tunes fronted by trans women and men, and/or non-binary, genderqueer, or genderfluid people, that I could reasonably expect a large number of people in the audience to be familiar with.
So, here’s what I played:
Shopping – The Hype
My Chemical Romance – Teenagers
100 gecs – mememe
SOPHIE – Immaterial
underscores – Locals (Girls Like Us) [with gabby start]
Kae Tempest – Move
Ada Rook – BURY YOURSELF
Janelle Monáe – Make Me Feel
jasmine.4.t – Guy Fawkes Tesco Dissociation
G.L.O.S.S. – Outlaw Stomp
Against Me! – True Trans Soul Rebel
Obviously I could have kept going a lot longer, but I’ve got to say, it was one heck of a half hour. I have such enormous love for everyone who joined me to dance their arse off on a Monday night. And if you’d like me to DJ your event – I’m officially back behind the decks, so do get in touch!





![Trans Access Needs
Proposer: Ruth Pearce
Seconder: [name redacted]
This Union Notes
1) Its own equal opportunities policy.
2) The Sex Discrimination Act 1976, that makes its unlawful to discriminate against gender, and the Sex Discrimination Regulations 1999, that make it unlawful to discriminate against people intending or undergoing gender reassignment.
3) Sex, biologically, is not a straightforward issue as many are born with an ambiguous sex and gender is not binary.
4) That gender is self-defined, as recognised by Union institutions.
5) That trans people are widely discriminated against, facing ignorance, harassment and sometimes violence.
6) Warwick has a hidden population of trans students, including those who are transsexed and those who identify as genderqueer, and there are no doubt also intersex students.
7) Trans students at Warwick are currently forced to use gender specific facilities when some have an ambiguous appearance that invites discrimination, whilst others do not identify within the gender binary.
8) That the NUS LGBT liberation campaign recently passed a motion to campaign for gender-neutral toilets in all educational institutions and student unions.
This Union Believes
1) Trans people should have the right to use the facilities they are most comfortable with, free of discrimination and harassment.
2) Confining gender to a binary distinction discriminates against students unable to define as only either male or female.
3) The availability of gender-appropriate facilities is an access issue, as trans students may be reluctant to make use of the Student Union buildings due to a lack of facilities that they would feel safe and comfortable using.
4) Both those trans students who identify as neither male nor female and those transsexed students who are transitioning in their social role from one apparent gender to another would benefit greatly from the existence of gender-neutral toilets.
5) That gender-neutral toilets may also be made use of by cisgender (non-trans) students.
6) That moves towards making gender-neutral toilets available by student bodies in USA institutions and UK universities such as Bradford and Sussex provide a positive precedent that deserves following.
7) That the redevelopment of Union South provides an unapparelled opportunity for the provision of gender-neutral toilets in the Students’ Union, given the extortionate cost of creating them under normal circumstances.
This Union Resolves
1) To provide accessible toilet facilities for trans people as well as exploring the possibility of gender-neutral toilet facilities.
2) To publicise the existence of these provisions, their locations, and the reasons for them at the beginning of every year.
3) To make feminine hygiene services available in these facilities in a similar manner to in the female toilets, for those trans students with particular needs associated with the female sex, and female students who choose to use them.
4) To mandate the Students’ Union to campaign for the provision of gender-neutral toilet facilities in the University.
5) To support all trans students who wish to use the facilities appropriate to their gender, whether these facilities are gender-neutral or gender-specific.](https://ruthpearce.net/wp-content/uploads/2021/11/warwick1.png?w=638)



Our first published academic article is now available in the journal Feminist Media Studies, authored by myself with my colleague Francis Ray White. This is a short commentary on the representation of trans pregnancy in the media, centring on a review of Jason Barker’s autobiographical film A Deal With The Universe.




In November I participated in a panel on research ethics at the 2018 WPATH Symposium in Buenos Aires, “Ethical Considerations in Transgender Health Research Practice”.